Friday, September 16, 2011
Peter Walsh
As I’ve been reflecting back on Mrs. Dalloway, one character who has pretty much escaped my reflection is Peter Walsh. After reading one of my classmate’s blogs, I was startled at how I had forgotten about Peter, one of my favorite characters, as all thought seemed to be focused on Clarissa and Septimus. The differences between Peter and Clarissa are just as interesting as the comparison between Clarissa and Septimus. Like Clarissa, Peter seems unsure about his life and not entirely happy (as breaking down into tears on a couch usually suggests). However, he is not trapped in a life he has chosen like Clarissa, he has yet to actually set onto an actual course of life in my opinion. He’s been to India, he was at Bourton, but he does not seem to have a role in life etched out for him yet. We don’t really know who he is? I could easily describe Clarissa as an unfulfilled woman stuck in the social prison of upper-class London. But what could you describe Peter as? What is his roole in life? He’s a wanderer who has yet to find a place. Now, he seems to be getting close, preparing to marry this woman from India. Although, I would say that he doesn’t necessarily want to. As much as he wants to say he’s over Clarissa and in love with the woman he is set to marry, he is not. This is another showcase of what I think could easily be the main flaw of his character: his inability to commit. He can’t commit to a life, and he can’t commit to a woman. This fatal flaw builds upon his image of instability; he is constantly flipping around his knife subconsciously and is very judgmental, shown in his criticism of Clarissa at her party. This further shows how different Peter is from Richard. Peter is passionate, but entirely unpredictable and unable to commit, the polar opposite of Richard.
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I agree that the Peter-Clarissa nexus is at least as interesting as the Clarissa-Septimus one--maybe even moreso, as we have much more to go on (beyond strangely mystical-seeming intuitions of Septimus's experience and other coincidental connections). But with Peter and Clarissa, we have the most extensive exploration of intersubjectivity in the novel--that is, one character's perceptions of the other, balanced with his or her self-perceptions and his or her sense of how the other views him or her. And it's remarkable how accurate their perceptions of each other turn out to be. The long sections where Peter contemplates Clarissa in the present day are some of the richest stuff on *her* character in the novel.
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